Slowly getting everything migrated over to the new platform... working on getting some new prints listed in the shop. Will hopefully be adding more as I go through some past negatives that I've been meaning to print. For now have a look at the print shop for the most recent additions... and as always, stay tuned for more...
Doug Johnson 1942 - 2016
My high school photography teacher passed away last week and I have no idea where I'd be without him. I wasn't what you'd call a good student to say the least. My grade point average freshmen year of high school was 0.79 (yes, you read that right). The general consensus was I wouldn't amount to much. Doug Johnson was the first teacher to treat me like a person instead of just another lost cause. He applauded my photographs in front of the class when most people thought of me as just another burnout.
I'd already been fiddling around with cameras for a while before I enrolled in the photography class at Stevenson High School. I'd been looking forward to it all year, and in the first week, after I made my first print in the darkroom, I was hooked, and from then on I didn't want to do anything else. Doug saw my interest and allowed me to pursue it, pushing me in the right directions, letting me work late after school, showing me things that went well beyond the scope of the class. He took me under his wing and I never looked back. I took every photography course the school offered, eventually moving to independent studies, and by my last semester I was spending 4 out of 5 periods a day in the photo room, working on my own photographs, helping set up the darkrooms every day, loading and developing film for other students...
Those of us that spent enough time in the darkrooms came to know him as DJ instead of Mr. Johnson. One of the art teachers, also named Johnson, liked to refer to him as "The Real Mr. Johnson." He taught at Stevenson for 33 years, oddly enough retiring the same year I graduated. I suppose he'd had enough. He was quick with a joke and always happy to see you. He'll be missed to say the least.
God Speed DJ, we'll keep the lights out down here for you...
http://www.legacy.com/obituaries/freep/obituary.aspx?n=douglas-w-johnson&pid=181751009&fhid=15366
Alison, First Frames
#0455_31A - Alison, 2016. Leica M3, Zeiss 50mm f/1.5, Ilford FP4 125
Finally have the first few takes from a shoot with Alison Black in May of 2016. Shooting with a new model is typically hit and miss, we didn't click right away, but quickly found a rhythm and got some really good material.
Still have a couple rolls to run from this session, feels like I'm hoarding undeveloped film sometimes. Watch for another take with a wider view and harsher light...
Sad to say I'm losing my studio access after almost 5 years. Hoping to do more location shoots going forward, getting a bit bored with the studio to be honest, I suppose this is a good excuse to try some new things.
#0457_33A - Alison, 2016. Leica M3, Zeiss 50mm f/1.5, Ilford FP4 125
#0456_26 - Alison, 2016. Voigtlader R3m, 75mm f/2.5, Ilford FP4 125
#0456_30 - Alison, 2016. Voigtlader R3m, 75mm f/2.5, Ilford FP4 125
#0457_14A - Alison, 2016. Leica M3, Zeiss 50mm f/1.5, Ilford FP4 125.
#0457_08A - Alison, 2016. Leica M3, Zeiss 50mm f/1.5, Ilford FP4 125.
San Francisco Isn't Mine
I came to San Francisco almost 18 years ago. Hard to believe really. I was just a kid with a pony tail (seriously, a really long pony tail), with delusions of grandeur, looking for something I couldn't find in the suburban Midwest. I moved to San Francisco to go to college and have never found a compelling reason to leave, plain and simple. I love this town, and I always will. I'll die here.
#0001_15 - Mission Street. San Francisco, CA. 2003
You can't sugar coat it, San Francisco's got problems. A one bedroom apartment in my neighborhood is going for $3,000 a month. The City is being systematically carved up and sold to the highest bidder. Tent encampments are becoming increasingly normal. My old dive bar is now a tech bro rookery. Real issues.
It's easy to blame money, startups and tech bros, but San Francisco is a boom town, always has been. That's not going to change. But money and privilege breeds isolation. What's troubling is how insulated so much of The City's population has become.
Don't forget how amazing, ridiculous and entertaining this place can be.
Forget Uber, take Muni and sit next to drunk people on a Friday night. Stop using those ridiculous valet services and walk the streets, it's worth it, trust me. Go to the Folsom Street Fair and see just how off the charts it really is. It smells bad and you'll probably be genuinely frightened at least half a dozen times but you're going to see some crazy shit and that's rad.
Don't ignore The City, don't ignore the weirdos and the artists (there's a lot of them), the bike messengers (why so angry?), the armies of lost art students (I know, they're sad) and confused tourists (sorry Europeans, our public transit blows). Don't be a dick and bash this place because it isn't what you thought or hoped or wanted or was promised. Don't ignore the people that are less fortunate than you that have to sleep on the god damn street. They all came here looking for something, just like you did. Don't think for a second that "wealthy working people have earned their right to live in the city."
The first dot com bubble was a disaster, but San Francisco survived. She'll weather this boom and bust just as she's weathered them all, mercilessly, with vengeance and style. Nobody has a right to be here. San Francisco isn't mine, and it certainly isn't yours either. It belongs to itself, you can only be a part of it.
Sarah, Half Light
From my last shoot with Sarah, fiddling around with some different light tricks. Shot these with a single bare bulb strobe cranked all the way up, aimed through a 4 inch vertical strip cut into an 8 foot piece of foam core...
#0451_04A - Sarah, 2016. Leica M3, Zeiss 50mm f/1.5, Ilford FP4 125
#0451_00A - Sarah, 2016. Leica M3, Zeiss 50mm f/1.5, Ilford FP4 125
#0451_34A - Sarah, 2016. Leica M3, Zeiss 50mm f/1.5, Ilford FP4 125
#0451_19A - Sarah, 2016. Leica M3, Zeiss 50mm f/1.5, Ilford FP4 125
#0451_05A - Sarah, 2016. Leica M3, Zeiss 50mm f/1.5, Ilford FP4 125
#0452_12A - Sarah, 2016. Voigtlander R3m, 75mm f/2.5, Ilford FP4 125